The project "I See: Artistic Research Process" investigated artistic research processes using both verbal and non-verbal methods to make them visible and comprehensible. Through an ethnographic study, it compared the creative practices of research-led and non-research-led photographic artists. The outcome was presented as a visual diary, capturing the implicit processes during artistic work to make them traceable. By focusing on micro-movements, body gestures, and hand actions during acts of making, the research highlighted how these subtle dynamics shaped artistic production and knowledge formation. This approach challenged conventional linear and text-based representations of artistic research, offering insights into the embodied, multisensory nature of artstic processes.

H A P P Y T O B E H E R E
Launch 6th Jan – 5-7pm

Exhibition open 7 – 12 January 2017
Attenborough Arts Centre, Lancaster Road, Leicester, LE1 7HA

Gino Attwood, Mateus Domingos, Colette Griffin, Jack Halford, Tom Harding, Alice Hicken, Andrea Jaeger, Daniel Sean Kelly, Khush Kali, Tim Neath, Nick O’reardon, James Parkinson, Emma Price, James Poyser, Sam Francis Read, Luke Routledge, Leon Sadler, Mita Solanky, Jack Squires, Robert Wilson, Callum Whitley, Tom Van Herrewege

Two Queens is proud to announce the upcoming offsite members exhibition ‘Happy to be Here’ at Attenborough Arts Centre, Leicester.

Happy To Be Here sees Two Queens invite current members and past exhibiting artists to make work about Two Queens – it’s building, personality, and their experiences within it.

For the duration of the show, the organisation will operate from within AAC’s gallery spaces as an institution in residence, hosting some of the regular activities that take place within the building as public events.

The project comes as Two Queens looks back on five years of activity and embarks on a major development project, taking the next step in becoming a more sustainable organisation and public art space for Leicester.

The project is kindly supported by funding from Arts Patrons Trust.

P H O T O F L E S H
International group exhibition featuring: Alberto Condotta, Jodie Wingham, and Andrea Jaeger
May 13 - June 3, 2017
Opening Reception - Saturday, May 3rd 7-10pm

A g

Preview 29/08/2014 6:00 pm
Exhibition runs 30/08/2014 - 06/09/2014

AG is a group show of new work from members of the Two Queens studios, associated artists and selected recent graduates from Leicester and Loughborough.

Eileen Anderson – Gino Attwood – Bhav Bhella – Melissa Fletcher – Isla Marie Haddow – James Hissett – Andrea Jaeger – Kerry Jackson – Sam Jones – Daniel Sean Kelly – Emily Lister – Lucy Mccall – Theo Miller – James Poyser – Oliver Quinn – Jack Squires – Alex Wallis

Three Shows: Beki Basch, Hein Koh, and “Photo Flesh” by MICHAEL ANTHONY FARLEY on MAY 19, 2017

Terrault Contemporary
Maryland Art Place building, 3rd Floor
218 W. Saratoga Street, Baltimore MD

Three international photography scholars from Birmingham School of Art; Alberto Condotta (Italy), Jodie Wingham (UK), and Andrea Jaeger (Germany) stretch the medium’s display conventions with multimedia works. In Alberto Condotta’s case, this can mean digital photographs of manipulated prints that exist solely on individual tablet displays or painterly weavings made from strips of prints. Andrea Jaeger’s macro photos of what appear to be cracks in glazed ceramic objects read like gorgeously detailed watercolors when printed larger-than-life on rice paper. They’re one of those artworks best appreciated from a viewing distance of just inches, despite their large dimensions. In some pieces, Wingham prints on metal surfaces, creating folded sculptural works that seem to break images into sequential panels.

“Andrea Jaeger et ses illusions optiques – quand la fin d’un film argentique se confond en cime des arbres sous un ciel blanc.”

Image: Chacun des 7 étages compte 200 m. L’immeuble est le plus vieux gratte-ciel de Zurich © Dominic Büttner.

„Experimentum vereint drei Projekte der Fotokünstlerin Andrea Jaeger, die sich mit Vergangenem auseinandersetzen. Es war einmal die Analogfotografie, der Impressionismus, die Industrialisierung. Die visuelle Reise geht ins analoge Zeitalter zurück und erinnert dabei an Rothko, lässt den Betrachter einen malerisch impressionistischen Sonnenaufgang Londons erleben und erinnert an die industrielle Vergangenheit Long Islands, New York.“

Leicester Society of Artists announces Andrea Jaeger as the Attenborough Prize Winner for the photography series: "Here is almost there", 2015.

Image: Andrea Jaeger (2014) Here is almost there, C-type Photographic prints, framed.